cathie toshach polaroid picture

This is where I rant, ramble, or report the goings-on in my life, profession, or the world at large. Travel, photography, kitsch, and design -- just about any topic is likely to make an appearance. So while I'm chewing the cud, why don't you chime in with a thought or two of your own. I'd love to hear what you've got to say.

NYTimes.com Visualization Lab

The NYTimes.com Visualization Lab recently announced it’s partnership with IBM’s Many Eyes. One does a great job at illustrating complex data visually in unique, compelling, and universal ways; the other provides the incredible tools to do so. I took a class a while back on data manipulation where the weekly assignments were produced using Many Eyes. It was a challenging class and I was no natural but I loved the possibilities that Many Eyes provided. Now I can continue to appreciate Many Eyes as it pairs up great content and great design.

Below is a Wordle of Barack Obama’s DNC Acceptance Speech.

Barack Obama’s DNC Acceptance Speech

Weekly Inspiration #2

Lee LeFever of CommonCraft does a great job explaining the value of Twitter using paper cut-outs in this two-minute video. Being new to Twitter myself, I initially didn’t get what it was all about and then when I tried converting a friend recently, I found it all the more difficult to explain it’s value. The video simplifies the message just as the tagline suggests, “in plain English.”

(Source: CommonCraft on YouTube.)

Weekly Inspiration #1 (Debut)

Taking my daily stroll through the World Wide Web, I came across the website for Schematic, an interactive agency (via Communication Arts). Using Flex and Flash, the whole of the website is featured as one big page, which you can navigate using a traditional menu or by using controls to zoom in and out of the site’s content. It reminds me of the project by Jeff Raskin wherein you can, theoretically, zoom infinitely into the website’s content in order to view the minute details of a map or image while still remaining within the original spatial context of the web page. Similarly, this past summer at the TED conference, Blaise Aguera y Arcas of Microsoft Live Labs demonstrated Photosynth, which, putting it simply, reconstructs three-dimensional space by compiling images into a highly mutable, scalable, and navigable visual representation of a physical location. These technologies seem to be breaking away from conventional hierarchies and silos of information. Instead, by flattening the virtual landscape and creating new interactions and relationships between documents and data, users can begin to experience more personalization and control in how they choose to navigate a website or system.

Dark Ages and Digital Dystopia

I’ve been going through my digital “archive” of converted and born-digital images and I dug up a bunch to add into my myriad of photo sets. It wasn’t exactly a warm fuzzy walk down memory lane, though. A while back I had dozens of film negatives scanned onto photo CDs. Today, when I tried to open them I was stuck with a proprietary format that is very-nearly unsupported. It was only a few years ago I had them scanned and the format is already obsolete. This is a worrisome topic for me as I consider all the millions of people happily snapping away with their digital cameras not knowing the difficulties they face in the coming years in terms of migrating, converting, and backing up their treasured photos. Even with a photography and archives background, I still struggle with managing all of my digital assets. Without better support for the consumer, I fear we may experience a cultural dark ages.

Film has an inherent backup in that in order to enjoy the images you have to create prints. Often the prints survive while the negatives become damaged or misplaced. But at least a copy survives. With digital images, we tend to transfer them onto our computers (or even leave them on memory cards) with the thought that we’ll get around to printing them later. Inevitably, though, we forget. What happens when our computer crashes or our memory card becomes corrupted? Similar arguments could be made about the fragility of film and there are far more benefits to digital than not, but the concern for preserving our vernacular heritage is still very real.

We need a non-proprietary application that: 1) embeds metadata that is universally readable; 2) stores a copy of the original file and derivatives; 3) periodically checks for conversion/migration compatibility; and 4) offers off-site storage. On top of that, we need the practical, every day tools for organizing, accessing, and sharing photos. Professionals have access to resources that satisfy all of these needs but they are expensive and complex. Consumers (read: “you and me”) need something much simpler but just as robust in functionality. What’s most important, though, is we need a product that has our best interests in mind and doesn’t force us into proprietary formats, file structures, and complicated learning curves. We need a product that is going to sustain and preserve our memories for the long-term.

Holistic Approaches and Adjusted Perspectives

For a bit short of a year, I worked at the Ann Arbor District Library as an Information Desk Clerk. It may seem like an odd thing to for me to discuss, but the reason I worked there, and the reason I mention it here, are both quite deliberate. At the School of Information, where I received my Masters of Science in Information, there are a number of specialization tracks you can take as a student depending on your career objectives. Once you’ve completed the foundation courses, you head down this track and rarely catch a glimpse at the coursework or students in alternate tracks. For me, as a Human-Computer Interaction student, I wanted to go into the field of user-centered design and information architecture but I also wanted a more holistic view of information science in general. With this in mind, I thought there was plenty to be learned from Archives and Libraries that could ultimately make me a better HCI professional.

From courses taken in Archives, I gained a great deal of insight into the value and uses of records, both electronic and physical. I learned about the complexities and intricacies of managing records and the challenges that are faced now and will become all the more critical in the coming years. We will struggle to find solutions for versioning, migration, and adapting to changing uses and expectations. At the same time, there are an infinite number of possibilities in digital records. They will become more mutable, portable, and reconstituted to offer new meaning and value.

The experience I gained working at the AADL was more on a user level. Interacting with patrons at the library, seeing their interaction with the library’s website and catalog, and providing computer support, made me appreciate how I can never again think of myself as a typical end user. I don’t consider myself a computer whiz, but working with patrons of the library made me realize just how frustrating technology can be. Watching them struggle with common tasks revealed to me how much farther we have to go in developing user-friendly interfaces. While these sorts of observations can be made in usability tests, having an ongoing and less defined interaction with a wider range of people revealed high level patterns of concern.

As Kim Goodwin of Cooper says, “the experience is the product.” Working often with patrons of varying degrees of computer literacy and educational and professional backgrounds, helped adjust my perspective considerably. It has made me appreciate the importance of making a product that not only satisfies an informational need but leaves the user with a positive experience, and for that alone I found my time at the AADL invaluable.